TurnLab Log

Hybrid Paintings is a series of experimental works at the intersection of poetry, art, and robotics. Each painting originates from a poem I recorded and then wrote in collaboration with the Postpoetic Machine. These hybrid poems are shaped by algorithmic, human, and non-human interventions, with their original form existing in digital media.

The Agents project was born from my desire to wear hoodies that embody the different states of being I explore in my science fiction short stories. I self-publish these stories as artist's books and zines. For the past four years, I have been developing a main character—a psychonaut who shifts between a dreamer, avatar, cyborg, and quantum agent—navigating layered, speculative realities in a quest for existential meaning.

More Than Human is a self-published zine born from my ongoing inquiry into hybrid identities, posthumanism, and the entanglement of technology, nature, and culture. It reflects my desire to explore what happens when the human perspective is no longer the only frame of reference—when machines, systems, and non-human agents share our space of meaning.

Maquinaria Alzada (Raised Machinery) is a handmade poetry artifact that explores the friction between human consciousness and mechanical logic. These poems question the architectures of language, moving between intuition and structure, vulnerability and system.

The Postpoetic Machine series explores the residual space of language through collaborative poetry experiments. These limited-edition artifacts feature hybrid poems born from a dialogue between the Postpoetic Machine and Venezuelan poets Eleonora Requena and Enrique Enriquez.

Hybrid Feelings is a limited-edition zine that emerged during the development of the exhibition Move Semantics: [Rules of Unfolding], presented at the Project Space of The Elizabeth Foundation for the Arts in New York.